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Undersea-Aged Champagne Is Starting to Surface

Some experts believe the science of champagne has applications in ballistics and rocketry, and now producers are trialing deep-sea aging, seeking the salty superiority of a life under pressure.

If you’ve ever been hit by a flying champagne cork, you will be painfully aware of the pressure in a bottle of fizz. And that pressure inside—and outside—the bottle has caught the imaginations of champagne innovators.

“We conduct many trials every year to fine-tune the pressure to the vintage,” says Louis Roederer’s chef de cave, Jean Baptiste Lécaillon. “We have a lower pressure—so smaller bubbles—[because] we want a seamless and soft mousse.”

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The pressure inside a bottle of champagne is typically around 6 bar, or three times the pressure of a car tire. But Louis Roederer champagnes can range from 6 to 4.5 bar. “The more acidity you have in the wine, the more aggressive the feeling of the bubbles … This is also why we are on the low side,” explains Lécaillon, “especially on Cristal, which is often non-malo [referring to malolactic fermentation] and low pH.” The newly released Cristal 2015, he says, “is a great example of this featherlight mousse … It is at the same time delicious, effortlessly intense, and delicate.”

How Hard Candy Flavors Are Made

One only needs a basic grasp of physics to realize that storing champagne at higher temperatures will increase the pressure inside. But scientists were astonished to find that when a bottle stored at 20 degrees Celsius (well above cellar temperature) was uncorked, the velocity of gas expelled from the bottleneck momentarily reached almost Mach 2—twice the speed of sound.

The Ballistics of Bubbly

Researcher Gérard Liger-Belair, professor of chemical physics at the University of Reims Champagne-Ardenne, likens this phenomenon “to what happens with rocket plume exhausts.” The pressure causes the CO2 to freeze and turn to dry ice when suddenly released, creating a plume at the bottle opening.

Liger-Belair is a specialist in champagne and effervescence, and the author of Uncorked: The Science of Champagne. But he hopes the findings, published in an academic journal last year, will also have applications in the fields of ballistics and rocketry.

The pressure in a champagne bottle falls over the years, resulting in smaller and scarcer bubbles—and that more composed, rather quieter character can often be part of the charm of a long-aged cuvée.

In the name of research, Dom Pérignon’s cellar master Vincent Chaperon once tried to reinvigorate the bubbles in a bottle of Dom Pérignon Plénitude 2, which is aged on the lees for 15 to 20 years, or around twice as long as a flagship DP. He won’t say how he did it (SodaStream? Aarke?), but he admits the result was “unharmonious—not good.”

“There’s not so much of a difference of size and number of bubbles at Dom Pérignon from one vintage to another,” he adds. “Nevertheless, I consider that the way you feel the bubbles on your palate is truly representative of the wine’s balance. As if the bubbles were carrying the whole personality of each vintage.”

He compares Dom Pérignon 2012: “You feel the bubbles directly on the first ‘attack’ of the wine. They’re tingling your palate with precision and energy.” Then, with the newly released Dom Pérignon 2013: “The sensation of bubbles comes later, on the mid-palate. The sensation is much milder, caressing your palate and revealing the elegance of 2013.”

Send in the Fizz Robot

Bubbles are also experienced psychologically. Sigfredo Fuentes, an associate professor in digital agriculture and food/wine sciences at the University of Melbourne, found that people associated seeing intensity and longevity of bubbles with a better quality of champagne, even if it was just cheap plonk that had been sonically bubbled.

Using these insights, Fuentes’ team has created the FIZZeyeRobot, a machine that pours and measures foam lifespan, as well as gas released. AI software predicts how this affects flavor compound release, and in turn, how potentially palatable the drink will be.

Meanwhile, in experiments around pressure outside the bottle, a number of wine producers are trialing deep-sea aging

 

Description

Atlantis: The Lost Empire is a 2001 American animated science fantasy actionadventure film produced by Walt Disney Feature Animation and released by Walt Disney Pictures.

It was directed by Gary Trousdale and Kirk Wise and produced by Don Hahn, from a screenplay by Tab Murphy, and a story by Murphy, Wise, Trousdale, Joss Whedon, and the writing team of Bryce Zabel and Jackie Zabel.

The film features an ensemble voice cast that includes Michael J. FoxCree SummerJames GarnerLeonard NimoyDon NovelloPhil MorrisClaudia ChristianJacqueline ObradorsJim VarneyFlorence StanleyJohn MahoneyDavid Ogden Stiers, and Corey Burton. The film is set in 1914 and tells the story of young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis.

Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules VerneAtlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film’s production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney’s previous traditionally animated features and remains one of the few to have been shot in anamorphic formatLinguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film’s musical score. The film was released at a time when audience interest in animated films was shifting away from hand-drawn animation toward films with full CGI.

Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 millionAtlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with ShrekLara Croft: Tomb RaiderThe Fast and the Furious and Dr. Dolittle 2. As a result of the film’s box office failure, Disney cancelled a planned spin-off animated television series Team Atlantis, an underwater Disneyland attraction, and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards.

The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, re-evaluation in later years has resulted in Atlantis gaining a cult following and reappraisal from critics as a mistreated classic, due in part to Mignola’s unique artistic influence.

Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan « Mole » Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah « Cookie » Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller crafts, navigating through the cave to emerge among ancient ruins.

Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash « Kida » Nedakh, who, despite being around 8,500 years old, appears as a young woman.

She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry.

Rourke betrays Milo and the Atlanteans, revealing his true intention—to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal’s hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke.

He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans’ destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal’s vast power. To protect the city, the crystal merged with a royal family member, Kida’s mother. This created a protective dome over the city’s inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida’s mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis’ decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her.

Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke’s mercenaries in the volcano. Milo kills Rourke with a crystal shard before he and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him.

  • Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd’s Journal while directing an expedition to Atlantis.
  • James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition.
  • Cree Summer as Kidagakash « Kida » Nedakh, the Princess of Atlantis and Milo’s love interest.
    • Natalie Strom provided dialogue for Kida as a young child.
    • Summer also voiced the unnamed Queen of Atlantis, Kida’s mother and Kashekim’s wife who was « chosen » by the Crystal during the sinking of the city.
  • Don Novello as Vincenzo « Vinny » Santorini, an Italian demolitions expert.
  • Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Native American descent.
  • Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke’s German-born second-in-command.
  • Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition.
  • Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition’s photographer.
  • John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney’s zest and vigor led to Whitmore’s personality being reworked for the film.[8]
  • Jim Varney as Jebidiah Allardyce « Cookie » Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie.
  • Corey Burton as Gaetan « Mole » Molière, a French geologist who acts like a mole.
  • Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida’s father.
  • David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo’s belief in the existence of Atlantis.

Production

The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don HahnGary TrousdaleKirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame, the producer and directors wanted to keep the Hunchback crew together for another film with an « Adventureland » setting rather than a « Fantasyland » setting.

Drawing inspiration from Jules Verne‘s Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne’s novel).

While primarily utilizing the Internet to research the mythology of Atlantis, the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.

They also visited museums and old army installations to study the technology of the early 20th century (the film’s time period), and traveled underground in New Mexico’s Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.

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