Promo !

Babylon 2025

Le prix initial était : $975.00.Le prix actuel est : $945.00.

The Frenchie Wine Bar is a place to share, sip, taste, talk, meet, mingle where fine food and friends old and new come together to discover simple

Le Fooding (2016) returns after naming this as their Best Wine Bar in 2012 and warns that “even if the food is almost too delicious, you’re supposed to be here to drink first and foremost! So there’s no point in getting upset if the dishes arrive out of order.”

TimeOut (2015) says “This is the sort of place where neighbours quickly become friends, and before long we were exchanging cards and even bites of food with the Japanese-French group on our left and the journalist from New York on our right. Divided into categories such as meat, fish and antipasti, with two or three small plates on offer for each, the menu encourages nibbling and sharing.” Rosa Jackson concludes that “Frenchie isn’t exactly cheap when you add it all up at the end, but it’s hard to think of a better spot for an impromptu meal with old and new friends.”

Ann Mah (2013) had a terrible experience. “It kills me to think that tourists come to Paris with high expectations, queue up at Frenchie wine bar, and spend a fair bit of money on pleasant but nondescript, sloppily served food. Perhaps it was just an off night. Other friends certainly love the place. But as we walked home, I saw evidence of Frenchie’s colonization of the rue du Nil — wine bar, restaurant, take away shop — and I began to suspect that Frenchie is a victim of its own success, expanding too quickly while neglecting the details. Unfortunately, the devil is in the details.”

Le Figaro (2012) François Simon reminds us that it’s not easy to get a stool at this popular wine bar, having tried on three separate occasions to arrive at opening time to find the place already full.

David Lebovitz (2011) says “the wine list is so compelling that the next morning when I woke up, I realized that the four of us had gone through four bottles of wine. I’m going to blame the fair prices and varied wines on the list, which made it hard to stop.” He concludes that “it was a fine evening of dining at a casual wine bar, which more and more, are becoming my favorite venues for dinner in Paris instead of restaurants, which require reservations and diners sticking to certain formalities, like eating in courses, rather than just ordering plates of salads, charcuterie, cheeses, and smoked fish. I like the informality of them and the younger staff are generally relaxed and friendly, and represent the best of the younger generation of French cooks and people who run restaurants.”

Not Drinking Poison in Paris (2011) jokes that “a wine industry friend and I amused ourselves by placing mock bets on how long it will be before the intended informal no-res bar becomes a small, slightly expensive restaurant with a difficult booking policy. (In other words, another Frenchie.)”

L’Express (2011) “Le générique des vins est oecuménique, déjouant le diktat du tout nature via le Nouveau Monde… tapas après tapas, on a retourné toute la carte… une burrata crémeuse dopée par une huile d’olive ardente et une concassée de petits pois frais à la menthe; un exceptionnel filet de truite fumée caressé par le velours d’une purée d’avocat et électrisé par une rafale de concombre vinaigré…”

Alexander Lobrano (2011) calls this “a terrific small-plates menu that comes from the kitchen across the street and offers delicious cameos of Marchand’s talent… I loved the wine list here, too… it not only suits Marchand’s cooking to a T but pushes out the walls a bit by including wines from other countries.

Description

Babylon is an American epic historical black comedy-drama film written and directed by Damien Chazelle.

It features an ensemble cast that includes Brad PittMargot RobbieDiego CalvaJean SmartJovan Adepo and Li Jun Li. It chronicles the rise and fall of multiple characters during Hollywood’s transition from silent to sound films in the late 1920s.

Chazelle began developing Babylon in July 2019, with Lionsgate Films as the frontrunner to acquire the project. It was announced that Paramount Pictures had acquired worldwide rights in November 2019. Much of the main cast joined the project between January 2020 and August 2021, and filming took place in Los Angeles from July to October 2021.

Babylon premiered at the Samuel Goldwyn Theater in Los Angeles on November 14, 2022, and was released in the United States on December 23, 2022.

It was met with a polarized response from critics and was a box-office bomb, grossing $63 million against a production budget of $78–80 million and losing Paramount $87 million. It received five nominations at the 80th Golden Globe Awards (including Best Motion Picture – Musical or Comedy, winning Best Original Score), three nominations at the 76th British Academy Film Awards (winning Best Production Design) and three nominations at the 95th Academy Awards.

In Bel Air, 1926, Manuel « Manny » Torres organizes the haphazard transport of an elephant to a debauched bacchanal at the mansion of his employer, Kinoscope Studios boss Don Wallach. Witnessing this event rife with sex, jazz, and cocaine, Manny becomes smitten with Nellie LaRoy, a brash, ambitious self-declared « star » from New Jersey. Himself the son of impoverished Mexican refugees, Manny shares his dream with her—to be part of something « bigger ». He helps carry away young actress Jane Thornton, who overdosed on drugs with actor Orville Pickwick, having the elephant walk through to distract partygoers.

Also attending are Chinese-American gay cabaret-singer Lady Fay Zhu and African-American jazz trumpeter Sidney Palmer. The flamboyantly-dancing Nellie is spotted and swiftly recruited to replace Jane in a Kinoscope film. During filming, she crudely upstages Constance Moore. Manny becomes a personal assistant to the benevolent, oft-married film star Jack Conrad who helps him secure Kinoscope assistant jobs. When a camera is urgently needed for one of Jack’s scenes before nightfall, Manny procures it at the last moment, helping him climb the studio system‘s ranks.

Nellie becomes an « it girl » covered by gossip columnist Elinor St. John, who also follows Jack’s career. As sound film displaces silents in the late-1920s, Manny skillfully adapts to the changes. At Sidney’s suggestion, he pitches films starring Sidney’s orchestra to Irving Thalberg and becomes a studio executive. Nellie struggles to navigate sound film’s demands (one cameraman dies filming her), and increases her drug use and gambling, tarnishing her reputation, despite Manny’s assistance.

Nellie, shown to have an institutionalized mother, eggs on her drunken father (and inept business manager) Robert to fight a rattlesnake at a party; he passes out. Nellie fights the snake, which bites her neck; Fay kills it and sucks out the venom. Nellie passionately kisses her.

By 1932, Jack’s popularity is waning but he still finds work in low-budget Metro-Goldwyn-Mayer films. As Hollywood’s audience becomes less tolerant of libertine behavior, executives order Manny to fire Fay, a Kinoscope title-writer, because she is a lesbian. While practicing lines with new wife Estelle, Jack is devastated to learn his longtime friend/producer, George Munn, has committed suicide.

Elinor and Manny try to revamp Nellie’s image and get her into high society, but Nellie lashes out against upper-class snobbery at a party, demonstratively vomiting on William Randolph Hearst. Jack confronts Elinor over her cover story on his declining popularity; she explains that his star has faded, but he will be immortalized on film.

Comparatively light-skinned Sidney is offended when studio executives insist he don blackface to assuage Southern audiences’ aversion to interracial orchestras; he leaves Kinoscope to perform live in black establishments. Jack encounters Fay at a hotel party; she reveals her departure for Europe and Pathé. After returning to his hotel room, a despondent Jack shoots himself dead.

Eccentric gangster James McKay threatens Nellie’s life over her gambling debts. Manny rejects her pleas for help, but later secures funds from the movie-set drug-pusher/aspiring actor « The Count », and visits James with him to pay the debts. Manny panics upon learning the money is counterfeit, made by his prop-maker. Raving about potential film ideas, the gangster drags them along to a subterranean gathering space for depraved zoosadist parties. When he realizes the cash is counterfeit, the two are about to get shot but escape, killing James’s henchman Wilson.

Manny asks Nellie to flee with him to Mexico, marry and start a new life; she eventually agrees. James’s associate finds Manny, killing The Count and his roommate. When a terrified Manny loses control of his bladder, the hitman spares him on condition he leaves Los Angeles. While Manny gathers their belongings, Nellie reneges on her decision, dancing away into the night. A montage of newspaper clippings reveals Elinor’s death at 76 and Nellie’s death from a drug overdose at 34.

In 1952, Manny returns to California with his wife Silvia and young daughter, having fled to New York City and established a radio shop. He shows them the Kinoscope Studios entrance, then visits a nearby cinema alone to see Singin’ in the Rain, whose depiction of the industry’s transition from silents to talkies, albeit sanitized, moves him to tears. A century-spanning series of vignettes from various films follows. As the focus returns to Singin’, Manny tearfully smiles.

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