Crowning Affairs

The Thomas Crown Affair is a 1999 American romantic heist film directed by John McTiernan and written by Leslie Dixon and Kurt Wimmer. It is a remake of the 1968 film of the same name. Its story follows Thomas Crown, a billionaire who steals a painting from the Metropolitan Museum of Art and is pursued by an insurance investigator, with the two falling in love. It stars Pierce Brosnan, Rene Russo, and Denis Leary.

The film, produced by United Artists and Irish DreamTime, was released on August 6, 1999. It grossed $124.3 million worldwide, against a budget of $48 million, and received generally positive reviews from critics.

Thieves infiltrate the Metropolitan Museum of Art inside an actual Trojan horse, preparing to steal an entire gallery of paintings, but are apprehended. In the confusion, billionaire Thomas Crown – the crime’s secret mastermind – steals Monet’s painting of San Giorgio Maggiore at Dusk. NYPD Detective Michael McCann heads the investigation into the theft of the $100 million artwork, with the unwelcome assistance of insurance investigator Catherine Banning.

Crown lends a Pissarro to fill the Monet’s space in the museum and falls under Banning’s suspicion. She persuades McCann to begin surveillance of Crown, deducing that he is motivated not by money but by the sheer thrill of the crime. Banning later accepts Crown’s invitation to dinner.^[1]

At dinner, Banning has a copy of Crown’s keys made; she and her team search his home and discover the Monet, which is revealed to be a taunting imitation painted over a copy of Poker Sympathy from the Dogs Playing Poker series. Banning confronts Crown, and the two give in to their mutual attraction and have sex.

Banning and Crown continue their cat-and-mouse game and their trysts, despite McCann’s surveillance. Accompanying Crown on a trip to Martinique, Banning realizes he is preparing to run but rejects his offer to join him when the time comes. McCann presents Banning with photographs of Crown with another woman, Anna, complicating her feelings toward the case and her prime suspect. Banning and McCann discover that the fake Monet is in fact an expert forgery that could only have been painted by someone with access to the original; they visit the likeliest forger, Heinrich Knutzhorn, in prison, to no avail, although his body language suggests to them that he recognizes the work.

Later, Banning finds Crown packing his belongings with Anna. He promises Banning his interest lies with her alone, stating that Anna works for him but he would be compromising her to define the nature of their association. Crown offers to return the Monet by putting it back on the wall of the museum, and gives Banning a time and place to meet him when he’s finished. Tearfully, Banning leaves and informs McCann.

The following day, the police stake out the museum, waiting to arrest Crown.

Banning learns from McCann that the fake Monet was painted by Anna; the imprisoned forger Knutzhorn is her father, a former business partner of Crown, who became her guardian. Crown arrives and advertises his position in the lobby.

The police realize that Crown expected Banning to turn him in and that he has set up another plot. Before the police can apprehend him,

Crown blends into the crowd, aided by lookalikes in bowler hats à la Magritte’s The Son of Man.

Evading the officers, Crown releases smoke bombs and pulls a fire alarm, setting off the museum’s fire sprinklers. His donated Pissarro, hanging in the Monet’s place, is washed clean by the sprinklers to reveal the real Monet.

Crown’s game is made clear: upon stealing the Monet, Crown had Anna forge the Pissarro over it and « returned » it to the museum. However, Crown has now vanished with another painting—one that Banning had told him she would have selected over the Monet. With the Monet recovered, Banning considers her role in the case concluded; the second missing painting is not covered by her employer.

McCann briefly stops Banning to press her for anything she might know, but admits he has since stopped caring whether or not they catch Crown and bids her farewell. Banning then races to meet Crown at the rendezvous, but finds only a bowler-hatted courier who delivers to her the newly-stolen painting.

Devastated, Banning has the painting sent to McCann and boards a flight back to London. In her seat after takeoff, she begins to cry when a hand from the row behind extends to her a handkerchief and offers her comfort.

Recognizing the passenger’s thinly-disguised voice, she turns to find Crown sitting behind her, and the two are reunited